A great deal of the beauty of some of Shakespeare�s greatest plays lies in the masking of their own identities by influential characters. This convention is seen explicitly in Othello, and also appears in Romeo and Juliet and A Midsummer Nights� Dream. When a Shakespearean character � or any character, for that matter � masks their identity, it without a doubt adds considerable interest to the play. It is, however, not necessary that all characters mask their identities, and it is in fact quite important that there is at least one character who is transparent. We see this particularly with Othello�s Desdemona, who is vital to the play�s credibility and adds another dimension to its meaning. In Othello, Iago portrays himself to others as a totally different character than he is in reality. The audience, of necessity enlightened to his falseness, gain a better understanding of his motives for manipulating the other characters � though still, his motives are murky at best. Referred to by many as �honest Iago�, he openly admits to Roderigo that in public he portrays a false persona: �I ......

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