Acting the Right Part sets about to redress what Xiaomei Chen calls a �threefold marginalization� of modern Chinese theater in the field of literary and cultural studies (p. 20). First, scholars have privileged Chinese fiction and film over drama. Second, according to Chen many students of modern Chinese literature and culture dismiss the PRC period as having �produced no works of �literary excellence�� (p. 20). Third, within works that focus on PRC literature, the Cultural Revolution and early post-Mao periods are little studied. Chen grew up in Beijing surrounded by theatrical luminaries from �Chinese theater�s golden age of the 50s� (p. 6; her mother was a famous actress and her father an accomplished stage designer for the China Youth Art Theater). Her personal insights and close relationships with top figures in the world of drama go a long way toward convincing readers that PRC theater is worth studying through the author�s cultural studies lens. This is particularly true for her five strong chapters about the semi-subversive powers of theater during the early post....

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