In this updated version of 1991�s DreamWorlds, Sut Jhally critically examines MTV, the music industry, and music video representations of women and their sexuality. His primary argument is that these representations are predictable and limited and that they negatively affect men�s understandings of women and women�s understandings of themselves. Using footage culled from television and cinema, often without the original accompanying music, Jhally connects music video to men�s violence against women and rape culture, and makes a compelling case for the inclusion in music video of a wider range of stories about female sexuality and, by extension, masculinity. In 1981, MTV began business as a cable channel devoted to broadcasting music videos created as advertisements by record companies. In the two decades since, these advertisements have become an integral part of popular culture, airing on a number of television channels, including BET, VH-1, and MTV2. As with many other forms of advertisement, music video often depends on sexual content to attract the attentio....

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