1. Inheritance from Medieval Drama � From the medieval drama the Elizabethans inherited in palpable and concrete dramatic form that association of music with the divine which is an invariable part of their mental furniture. When, in the mystery cycles, �God appears on a �scaffold�, between two angels or more playing musical instruments, we know that God is in his heaven and the sense of a divine order, a cosmic symphony, is tangibly conveyed to the ears.� � One of the results of the revolution in musical thinking set on foot by the Reformation, and by humanist concerns with music and morals, was to make everyone, including dramatists, more aware of the emotive powers of music. � Inherited also from the middle ages, and associated with productions of mystery and morality plays, is a symbolism of place. In the well known miniature by Jean Fouquet (c. 1455), showing the martyrdom of St. Apollonia, the trumpeters and shawm - players are on the scaffold next to God and His angels and are as far away from the Devil and Hell. 2. Gorboduc and Doctor Faustus � There is a C....

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