Jane Austen's Emma charms in its delicate portrayal of Highbury and the daily lives of its residents. It has been praised for "the peculiar tact with which [Austen] presents characters" while criticized for its lack of outward action . The subdued and antitheatrical novel, however, contains distinctly theatrical elements of scene setting, stage direction, and dialogue that are not typically found in the genre of the novel. These elements of the stage at once dramatize Austen's miniature portraits and highlight the artificiality of her characters' interactions. Ultimately, the tension between novel narrative and theatrical presentation, between internal dialogue and external action, reinforces a sense of stifling surveillance, highlighting the limited scope of Austen's two inches of ivory canvas. The theatricality in Emma is a theatricality of the mundane. The extravagances of the stage are muted by the domesticity of Highbury. Though the novel's narrative proceeds in a succession of scenes much like those in cinema or theater, these scenes are of quiet domestic interiors, ....

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