William Zorach conceived a sculpture entitled "Victory" that shows an indebtedness to the late classical fourth century B.C. idealized images of Venus, combined with a figural attitude of flight that is perhaps derived from the twisting torso of the conceptions of flight in the winged Victory of Samothrace. The figure exhibits a lustrous surface of sensual light that is reminiscent of the finish on Donatello’s bronze image of David. The torso may be viewed at once as a provacative and modern heroic image of the feminine grace of womanhood. Two Lines oblique Down, Variation H" by George Ricky was conceived with a concern for the problems of space and time wherein there is a constant transformation of natural forces of Nature. The spatial configurations that are produced by the action of linear triangular points that pivot on the principle of lever action that was first discovered by the Greek mathematician Archimedes (287-212 B.C.). The reference to this progenitor, the symmetrical geometry, and concern for change are all modern expressions of classicism. Francisco Zuniga conc....

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